It appears that in recent years the world of film has been really gunning for Sci-Fi epics, what with Gravity, Interstellar, Guardians of the Galaxy, hell even Jupiter Ascending, all coming to the fore. Despite being one of the great cinematic mediums it only seems to have now gotten a new lease of life in recent years and The Martian steps forth to take that genre to a whole new level. Continue reading “The Martian – How to Survive in Space 101”
So my vision after finishing my review of Sinbad: Legend of the Seven Seas was to be ultra-productive. I was going to start a book, game and film review all within a week to be put up over three weeks, Then my body went “Hey, this is the perfect time to have the mother of all colds.” So for the past week I’ve been surrounded by tissues, Lemsip, lots of drinks and more tissues. But now I’m coming out of the constant sneezing and coughing so I can get around to writing my reviews!
Well here we are, the end of traditional animation, or at least, the end of DreamWorks traditional animation efforts. I apologise at how long it’s taken me to produce these reviews but I hope you’ve been able to bear with me through all of this. But since it is the end let’s see how this ends, with a whimper or with a bang.
Well we’re at the penultimate review and we are delving into the world where traditional
and computer animation start to collide with Spirit: Stallion of the Cimarron. Though Jeffery Katzenberg called this, stupidly in my opinion, “tradigital animation”, the idea of blending the two styles together is not unheard of, being used in Don Bluth’s somewhat forgotten film Titan A.E and the much more successful and fondly remembered Disney film Tarzan.